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The writing life has a time and a pace. Respect it, nurture it, celebrate it : this is the true knowledge of the writer. Don’t listen to yourself, don’t listen to the world. Just listen to the tender and terrible flows of your writing life. The music will flow, freely, when the time comes.
We all died, morally, symbolically, emotionally once in our real life. We’ve been crashed, sometimes by terrible events, sometimes by a sort of invisible hand of evil over our destinies. From now on, let’s write beautiful pages of a unique masterpiece that is called : Our life.
“Teaching” means rules, structures or maps of paths which others took before you and drew. However when you have to teach a creative way all this is not enough. In fact, sometimes, all this might be a problem. If your students are creative people, they are going to feel those maps like a prison; if they are not, they might think those rules are a solution, a magic key and, what’s worse, the only way to do a script.
I don’t do guest posts that often but Marc Omeyer is a stand-up guy and I don’t run into a whole hell of a lot of stand-up guys these days. So I’ve spent the last couple of weeks wondering what to write about… Didn’t want to do the same old, same old and recently, I’ve been doing so much THINKING about concepts that I wondered when was the last time anyone’s ever discussed the THINKING part about writing?
Everyone insists on how important a pitch is. But as for myself, I think every writer needs four different and necessary pitches.
First is the install pitch, the initial appeal of a conflicting contrast, a fresh situation around someone in relation with three essential entities : us, his world, and a vital necessity.