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Everyone insists on how important a pitch is. But as for myself, I think every writer needs four different and necessary pitches.
First is the install pitch, the initial appeal of a conflicting contrast, a fresh situation around someone in relation with three essential entities : us, his world, and a vital necessity.
If you are an artist, chances are you are a perfectionnist, an obsessed soul always in search of gold. Well, I am. So let’s celebrate together a simple truth : we’ll never get a hundred per cent satisfied. Nothing we’ll ever write will meet all of our expectations.
Some might, a few lines and pages may pass the cut, and even bear the test of time. But so few indeed. So let’s open our eyes once for all on this.